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  2. Midnight Blue (Kenny Burrell album) - Wikipedia

    en.wikipedia.org/wiki/Midnight_Blue_(Kenny...

    Midnight Blue is a 1963 [5] [6] [7] album by jazz guitarist Kenny Burrell featuring Stanley Turrentine on tenor saxophone, Major Holley on double bass, Bill English on drums and Ray Barretto on conga, and is one of Burrell's best-known works for Blue Note. [8]

  3. Chitlins con Carne - Wikipedia

    en.wikipedia.org/wiki/Chitlins_con_Carne

    "Chitlins con Carne" is a jazz blues instrumental composed by guitarist Kenny Burrell and first released on his 1963 album Midnight Blue. The original version featured Burrell on guitar, Stanley Turrentine on tenor saxophone, Major Holley on bass, Billy Gene English on drums, and Ray Barretto on congas.

  4. Midnight Blue (Lou Gramm song) - Wikipedia

    en.wikipedia.org/wiki/Midnight_Blue_(Lou_Gramm_song)

    "Midnight Blue" is a song by American rock singer-songwriter Lou Gramm, issued as a 7" single in the United States in January 1987 by Atlantic Records. It was the lead-off single from Gramm's debut album, Ready or Not, released in February 1987. An extended remix of the song was available as a 12" single.

  5. Backing track - Wikipedia

    en.wikipedia.org/wiki/Backing_track

    A solo steel drum player performs with the accompaniment of pre-recorded backing tracks that are being played back by the laptop on the left of the photo.. A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that ...

  6. Midnight Confessions - Wikipedia

    en.wikipedia.org/wiki/Midnight_Confessions

    The original recording of "Midnight Confessions" was a demo by the Evergreen Blues Band, whose manager – Lou Josie – wrote the song. The demo contained a horn section and caught the attention of record producer / engineer Steve Barri , who was looking to produce a song for the Grass Roots that was a " West Coast " version of a Motown -style ...

  7. Trilogy (Ana Popović album) - Wikipedia

    en.wikipedia.org/wiki/Trilogy_(Ana_Popović_album)

    Popović tried out a new guitar for Midnight, using a Gibson ES-175 for the jazz numbers instead of her usual Strat which she uses for rock and blues. [7] She also adapted her voice to jazz, leaving the growling and shouting for the first two discs and shifting to crooning, giving off a smokey late night vibe.

  8. Still Got the Blues - Wikipedia

    en.wikipedia.org/wiki/Still_Got_the_Blues

    Still Got the Blues is the eighth solo studio album by Northern Irish guitarist Gary Moore, released in March 1990. [3] It marked a substantial change in style for Moore, who had been predominantly known for rock and hard rock music with Skid Row, Thin Lizzy, G-Force, Greg Lake and during his own extensive solo career, as well as his jazz fusion work with Colosseum II.

  9. Closer to You (J. J. Cale album) - Wikipedia

    en.wikipedia.org/wiki/Closer_to_You_(J._J._Cale...

    The horns are used on the closing track “Steve’s Song,” which AllMusic describes as a “hypnotically groovy instrumental.” The same review also complements the electronic treatment of Cale’s vocals on the title track, a technique that surprisingly makes him sound as down-to-earth as ever.”

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