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96° in the Shade is the second album by the Jamaican reggae group Third World, released by Island Records in 1977. [1] The title track, “1865 (96 Degrees in the Shade)”, refers to the year of the Morant Bay rebellion, headed by the Baptist deacon and preacher Paul Bogle. Although the rebellion failed, the song makes clear that Bogle’s ...
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They have so far released four albums (The Cocktail Years not officially representing Heavy Shift but rather Wallace/South) . Their debut album, Unchain Your Mind, featured the hit single "90 Degrees in the Shade" and went to the Top Five on the new adult contemporary charts and Billboard jazz charts being named "Album of the Year" by Jazz FM. [1]
The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1]
The augmented sixth interval is typically between the sixth degree of the minor scale, ♭, and the raised fourth degree, ♯.With standard voice leading, the chord is followed directly or indirectly by some form of the dominant chord, in which both ♭ and ♯ have resolved to the fifth scale degree, .
It featured the single '90 Degrees in the Shade', which although heavily influenced by the electronic sounds of the 1990s, was a representation of the band's future 'acid swing' direction. All the tracks on the album are instrumentals, with perhaps the exception of 'Obey the Rules of the Night' which featured a sampled vocal chorus and bridge.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
In practice, musicians often extend the basic chords shown here, especially to 7ths, 9ths, and 13ths, as seen in this example: iim 9 V ♯ 9 ♭ 13 I maj9. In jazz, the ii is typically played as a minor 7th chord, and the I is typically played as a major 7th chord (though it can also be played as a major 6th chord).