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Dharti Ke Lal (Hindi pronunciation: ['d̪ʱəɾ.t̪iː 'keː 'lɑːl]; transl. Children of the Earth) is a 1946 Hindustani film, the first directorial venture of the noted film director Khwaja Ahmad Abbas (K. A. Abbas).
Balraj Sahni (born Yudhishthir Sahni; 1 May 1913 – 13 April 1973) was an Indian film and stage actor, who is best known for Dharti Ke Lal (1946), Do Bigha Zameen (1953), Chhoti Bahen (1959), Kabuliwala (1961), Waqt (1965) and Garm Hava (1973). He was the brother of Bhisham Sahni, noted Hindi writer, playwright, and actor. [1]
Shaan performing at an IBM event IMPRINT 2008. This is a discography of Indian vocalist Shaan.He sings in many Indian languages including Hindi, Bengali, Marathi, Urdu,Tamil, Telugu, Kannada, Bhojpuri and many others.
Up until the 1980s, the largest overseas market for Indian films was the Soviet Union. After Dharti Ke Lal, [3] the first Indian film to become a blockbuster at the Soviet box office was Awaara (1951), directed by Raj Kapoor and written by Khwaja Ahmad Abbas, released in the Soviet Union in 1954. [11]
Dharti Ke Lal (1946), about the Bengal famine of 1943, which was one of Indian cinema's first social-realist films, [3] and opened up the overseas market for Indian films in the Soviet Union. [4] Pardesi (1957) was nominated for the Palme d'Or.
Sombhu Mitra (22 August 1915 – 19 May 1997) was an Indian film and stage actor, director, playwright, reciter and an Indian theatre personality, known especially for his involvement in Bengali theatre, where he is considered a pioneer.
Early examples of Indian cinema's social realist movement include Dharti Ke Lal (1946), a film about the Bengal famine of 1943 directed and written by Khwaja Ahmad Abbas, [7] and Neecha Nagar (1946), a film directed by Chetan Anand and written by Khwaja Ahmad Abbas that won the Grand Prize at the first Cannes Film Festival. [8]
The Giver of Grain – an obsequious appellation used by Indian peasants for their feudal land-owners), was made into the film Dharti Ke Lal (1946) by Khwaja Ahmad Abbas – which led to his being offered work regularly as a screenwriter by Bollywood, including such popular hits as Mamta (1966) and Sharafat (1970). He wrote his film scripts in ...