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The Edward F. Albee Foundation is an arts foundation created with the intent of aiding young visual artists and writers. Located in Montauk on Long Island, New York, it was started by its namesake, playwright Edward Albee, in 1967, after revenue from his play Who's Afraid of Virginia Woolf? proved abundant.
Group at Banff School of Fine Arts, August 1937. University of Alberta Archives, UAA-1969-097-200c. The centre was founded in 1933 by the University of Alberta, [4] with a grant from the U.S.-based Carnegie Foundation.
The Dancing on the Edge Festival is a biannual performing arts festival in the Netherlands set up in 2007. Dancing on the Edge (DOTE) stimulates artistic exchange with the Middle East and North Africa. [1] [2] The festival takes place over a period of ten days in November in Amsterdam, Utrecht, The Hague and Rotterdam. The focus is on ...
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British psychotherapist Paul Newham using Expressive Therapy with a client. The expressive therapies are the use of the creative arts as a form of therapy, including the distinct disciplines expressive arts therapy and the creative arts therapies (art therapy, dance/movement therapy, drama therapy, music therapy, writing therapy, poetry therapy, and psychodrama).
The Edge had brought le Brocquy's work to Steinberg's attention, and she became convinced that his paintings could be interpreted through dance. [34] The music for Cold Dream Colour is composed by The Edge in collaboration with Paul Chavez (known for his experimental electronic compositions under the project name FeltLike). [34]
The physically integrated dance movement is part of a broader disability culture movement, the goal of which is to center and celebrate the first-person experience of disability, not as a medical-model construct but as a social phenomenon, through artistic, literary, and other creative means. [8] AXIS Dance was one of the earliest companies in ...
Expressive dance from German Ausdruckstanz, [2] is a form of artistic dance in which the individual and artistic presentation (and sometimes also processing) of feelings is an essential part. It emerged as a counter-movement to classical ballet at the beginning of the 20th century in Europe.