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Theobald Böhm (or Boehm) (9 April 1794 – 25 November 1881) was a German inventor and musician, who greatly improved the modern Western concert flute and its fingering system (now known as the "Boehm system"). He was a Bavarian court musician, a virtuoso flautist and a renowned composer.
The flute is perhaps the oldest musical instrument, other than the human voice itself. There are very many flutes, both traversely blown and end-blown "fipple" flutes, currently produced which are not built on the Boehm model. The fingering system for the saxophone closely resembles the Boehm system.
[41] [better source needed] Since Theobald Boehm's fingering is used in saxophones as well as in concert flutes, many flute players "double" on saxophone for jazz and small ensembles and vice versa. Since 1950, a number of notable performers have used flutes in jazz.
The greatest innovations to the alto flute were developed by Theobald Boehm in the 1850’s when he made the alto flute in G, and it was said to be his favorite flute. There is some research that shows this happened in the mid 1850’s, around 1854-55, when he was 60 years old. [ 3 ]
The standard concert flute, also called C flute, Boehm flute, silver flute, or simply flute, is by far the most common member of the flute family. The flute is used in many ensembles including concert bands , orchestras , flute ensembles, occasionally jazz bands and big bands .
The size and placement of tone holes, key mechanism, and fingering system used to produce the notes in the flute's range were evolved from 1832 to 1847 by Theobald Boehm, who helped greatly improve the instrument's dynamic range and intonation over its predecessors. [50]
Even though Ardal Powell regards Nicholson as "the first native professional instrumentalist to achieve star status in Britain", [3] Nicholson's present renown owes less to his personal style of playing than to Theobald Boehm's being greatly impressed by the flute's powerful tone on a visit in 1831.
Taffanel came at a crucial moment in the flute's history, after Theobald Boehm had completely remodeled the instrument. He proved the flute fully capable of elegance and extreme expressiveness. At the same time, the credo later advocated by the French Flute School that tone quality was more important than loudness did not always hold true for ...
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