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In late 1975, Marshall introduced the "Master Volume" ("MV") series with the 100W 2203, followed in 1976 by the 50W 2204. This was an attempt to control the volume level of the amplifiers whilst maintaining the overdriven distortion tones that had become synonymous with the Marshall brand.
The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume"), [1] is an amplifier in Marshall's "Standard" series. [2] It was designed by Ken Bran and Dudley Craven after The Who's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [3]
HH Electronics is a British amplifier manufacturer that was founded in 1968 by Mike Harrison, Malcolm Green and Graham Lowes in Harston near Cambridge, England, where its first solid state TPA and MA range of studio quality amplifiers were designed and manufactured. These amplifiers were used by many recording and broadcasting studios ...
A Master Volume/BYPASS switch completely bypasses the Master Volume section allowing incredible levels of gain and sustain to be achieved. OP mode switch cut the amp's Output Power level in half (30 > 15 on the AC30, 15 > 7.5 on the AC15) allowing higher levels of saturation to be achieved at lower volumes.
The Vibrosonic Reverb was a guitar amplifier made by Fender.This silverfaced guitar combo was basically a master volume Twin Reverb equipped with a JBL D-130-F 15" speaker. It was available with 100 watts RMS of power with a 1960s "tailed" Fender logo before its change to a 135 watts RMS combo featuring a "tailless" Fender decal in 1977.
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A characteristic feature of most tube amplifier designs is the high input impedance (typically 100 kΩ or more) in modern designs and as much as 1 MΩ in classic designs. [19] The input impedance of the amplifier is a load for the source device. Even for some modern music reproduction devices the recommended load impedance is over 50 kΩ.
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