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"Gwahoddiad" The Roberts (Gwyllt) translation has four verses. The first verse is a virtual equivalent of Hartsough's original (see infra).Roberts essentially skipped Hartsough's second verse and then conflated the remaining three verses into similar but not verbatim thoughts matching Welsh to the metrical pattern of Hartsough's tune.
"At the Name of Jesus" is a hymn with lyrics written by Caroline Maria Noel. It was first published in 1870, in an expanded version of Noel's collection The Name of Jesus and Other Verses for the Sick and Lonely. At the time, Noel herself experienced chronic illness, which persisted until her death.
The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. One of his most popular and highly acclaimed compositions, it is divided into two sections.
He quickly jotted down the lyrics and asked the soloist to sing the song that night. The lyrics of the song convicted the young man's heart and he ended up staying and listening to the message. When the preacher gave the altar call at the end of the night, the soloist got up and went to the front of the tent and accepted Jesus into his heart. [ 1 ]
"How Sweet the Name of Jesus Sounds" is a hymn by the evangelical Anglican cleric John Newton. It was published in Olney Hymns in 1779. [1] Of a metaphorical nature, it focuses on the power of the name of Jesus. [2] It is often sung to the tune of Saint Peter by Alexander Reinagle and less frequently to Ortonville by Thomas Hastings. [3]
The Rev. John Newton's hymn "Amazing Grace" has become a national hymn, uniting people of all walks of life and reflecting the Christian view of man as a fallen creature who can do nothing to save ...
Jahn's verses [7] [8] express a close, friendly, and familiar friendship with Jesus, who gives life to the poet. It has been noted that the original German hymn was characteristically a lively hymn of praise, which is carried over somewhat into Bach's arrangement; whereas a slower, more stately tempo is traditionally used with the English version.
It was the group’s second consecutive No. 1, after “You Give Love a Bad Name.” “It was the first time that we used characters in the lyric,” the musician told Mandel, 68, before citing ...