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Booker T. & the M.G.'s formed as the house band of Stax Records, providing backing music for numerous singers, including Wilson Pickett and Otis Redding. [6] In summer 1962, 17-year-old keyboardist Booker T. Jones, 20-year-old guitarist Steve Cropper, and two seasoned players, bassist Lewie Steinberg and drummer Al Jackson Jr. (the latter making his debut with the company) were in the Memphis ...
Other members of the house band included horn players Andrew Love, Joe Arnold, and Wayne Jackson. Hayes had auditioned for Stax in 1962, unsuccessfully, but by 1964 he became a vital part of the Stax house band, along with his songwriting partner, David Porter. Cropper, Dunn, Hayes, Jackson, Jones and Porter were collectively known as the "Big ...
In 1960 he made his first recordings with his 17-year-old daughter Carla, for the Satellite label in Memphis, which changed its name to Stax the following year. The song, "Cause I Love You", featuring a rhythm borrowed from Jesse Hill's "Ooh Poo Pa Doo", was a regional hit; the musicians included Thomas' son Marvell on keyboards, Steinberg, and the 16-year-old Booker T. Jones.
The presentation recorded at historic Booker T. Washington High School in Memphis is geared towards students, teachers, youth associations and […] The post Music from Memphis’ Stax Records ...
Music from Memphis' Stax Records, Detroit's Motown featured in online show. ADRIAN SAINZ. January 31, 2024 at 11:19 AM.
The Stax Museum of American Soul Music is a museum located in Memphis, Tennessee, at 926 East McLemore Avenue, the original location of Stax Records.Stax launched and supported the careers of artists such as Otis Redding, Isaac Hayes, the Staple Singers, Sam & Dave, Booker T. & the M.G.'s, Rufus Thomas, Carla Thomas, Wilson Pickett, Albert King, William Bell, Eddie Floyd, Jean Knight, Mable ...
Jackson, while in high school, was a member of the Mar-Keys, a group that would become part of the house band for Stax Records during the 1960s. [3] Meanwhile, Love was playing the saxophone in his father's church, and his school bands. He joined the house band in 1965, after completing his post secondary education in music. [4]
The genesis of "In the Midnight Hour" was a recording session on May 12, 1965, at which Wexler worked out a powerful rhythm track with studio musicians Steve Cropper and Al Jackson of the Stax Records house band, including bassist Donald "Duck" Dunn.