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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The duration (note length or note value) is indicated by the form of the note-head or with the addition of a note-stem plus beams or flags. A stemless hollow oval is a whole note or semibreve, a hollow rectangle or stemless hollow oval with one or two vertical lines on both sides is a double whole note or breve.
The American term half note is a 19th-century loan translation of German halbe Note. The Catalan, French, and Spanish names (blanca, blanche, meaning "white") derive from the fact that the minima was the shortest unfilled note in mensural white notation, which is true of the modern form as well. The form in the earlier black notation resembles ...
Notes in it include a prime symbol below the note's letter. Names of subsequent lower octaves are preceded with "sub". Notes in each include an additional prime symbol below the note's letter. The octave starting at tenor C is called the "small" octave. Notes in it are written as lower case letters, so tenor C itself is written c in Helmholtz ...
Alla breve is a "simple-duple meter with a half-note pulse". [3] The note denomination that represents one beat is the minim or half-note. There are two of these per bar, so that the time signature 2 2 may be interpreted as "two minim beats per bar". Alternatively this is read as two beats per measure, where the half note gets the beat.
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In music, a notehead is the part of a note, usually elliptical in shape, whose placement on the staff indicates the pitch, to which modifications are made that indicate duration. Noteheads may be the same shape but colored completely black or white, indicating the note value (i.e., rhythmic duration).
The vertical double dot was introduced by Willi Apel and is commonly used in modern transcriptions of medieval and renaissance music. It lengthens an already dotted note by half: a dotted half note (minim) consisting of 6 quarter notes becomes 9 quarters when vertically double-dotted.
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