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Legal disclaimer This image shows (or resembles) a symbol that was used by the Empire of Japan and its Armed Forces or an organization closely associated to it, or another party of advocating or glorifying wars of aggression or aggressive conduct under the Law of the People's Republic of China on the Protection of Heroes and Martyrs.
Legal disclaimer This image shows (or resembles) a symbol that was used by the Empire of Japan and its Armed Forces or an organization closely associated to it, or another party of advocating or glorifying wars of aggression or aggressive conduct under the Law of the People's Republic of China on the Protection of Heroes and Martyrs.
He is represented with the features of a Chinese warrior on horseback, carrying a pilgrim’s staff and a cintamani. Popular imagery sometimes also symbolizes him by statuettes of a horse carrying a cintamani on its back. The support animal or messenger of this Atago Gongen is the wild boar, the symbol of courage, strength, and perseverance.
The Rising Sun Flag (Japanese: 旭日 旗, Hepburn: Kyokujitsu-ki) is a Japanese flag that consists of a red disc and sixteen red rays emanating from the disc. [1] Like the Japanese national flag, the Rising Sun Flag symbolizes the Sun. The flag was originally used by feudal warlords in Japan during the Edo period (1603–1868 CE). [2]
In Japan, Bishamonten (毘沙門天), or just Bishamon (毘沙門) is thought of as an armor-clad god of war or warriors and a punisher of evildoers. Bishamon is portrayed holding a spear in one hand and a small pagoda in the other hand, the latter symbolizing the divine treasure house, whose contents he both guards and gives away.
The Instructions for the Battlefield (Kyūjitai: 戰陣訓; Shinjitai: 戦陣訓, Senjinkun, Japanese pronunciation: [se̞nʑiŋkũ͍ɴ]) was a pocket-sized military code issued to soldiers in the Imperial Japanese forces on 8 January 1941 in the name of then-War Minister Hideki Tojo. [1] It was in use at the outbreak of the Pacific War.
The mon, or symbol, of a clan or a daimyō was particularly common, identifying which side a warrior fought on; some samurai used their own names or mon rather than that of their lord, while other factions, such as the Ikkō-ikki, could be identified by banners declaring namu amida butsu, praising the name of the Amida Buddha.
Before the end of World War II, the style was originally referred to as Emperor's Crown Amalgamate Style, and sometimes Emperor's Crown Style (帝冠式, Teikanshiki). [2] [3] [4] Starting in Japan in the 1930s, this Western and Japanese eclectic architectural style was promoted by Itō Chūta, [5] [3] Sano Toshikata, [3] and Takeda Goichi. [5]