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Arista Flutes: USA: Professional flutes and headjoints made in precious metals alto flute headjoints: Yes: Yes: Yes Armstrong: USA: Now owned by Conn-Selmer: Yes: Yes: No Artley: USA: Now defunct Conn-Selmer brand. The company made piccolos, C flutes, E-flat soprano flutes, alto and bass flutes. (The bass flute was designed by T.S. Ogilvie) No ...
William S. Haynes, a flute manufacturer in Boston, Massachusetts, United States, told Georges Barrère that in 1905 he made one silver flute to every 100 wooden flutes, but in the 1930s, he made one wooden flute to every 100 silver flutes. [27] Unusual tubing materials include glass, carbon fiber, and palladium. [28]
In 1916, Verne Powell joined the Wm. S. Haynes Company to make wooden flutes and piccolos. By 1926, Powell was the shop foreman at Haynes and was running much of the business. Later that year, he left Haynes to make his own flutes. In 1927, Verne Q. Powell Flutes, Inc. was incorporated at 295 Huntington Avenue in Boston, Massachusetts.
The composite piccolo is made out of a synthetic material with some wooden texture to it, metal piccolos can be silver-plated or solid silver, wood piccolos are made of grenadilla wood and are rarely used outside because the wood can crack, and finally the Roy Seaman Piccolo sub-brand of conservatory and professional piccolos.
In 1888, they were commissioned by Edward Heindl, the then-Principal Flutist of the Boston Symphony Orchestra, to make him a Boehm system wood flute. [3] [4] The Haynes brothers then produced over 500 flutes with the (unrelated) JC Haynes Company in Boston. Their 507th flute was the first of the new Haynes Company, established in 1888. [5]
Another contemporary reference to the "echo flute" is in Etienne Loulié's Elements ou principes de musique (Amsterdam, 1696): Les sons de deux flutes d'echo sont differents, parce que l'un est fort, & que l'autre est foible (The sounds of two echo flutes are different, because one is strong and the other is weak). Loulié is unclear on why one ...
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