Search results
Results from the WOW.Com Content Network
This file contains additional information, probably added from the digital camera or scanner used to create or digitize it. If the file has been modified from its original state, some details may not fully reflect the modified file.
Twelfth Night, or What You Will is a romantic comedy by William Shakespeare, believed to have been written around 1601–1602 as a Twelfth Night entertainment for the close of the Christmas season. The play centres on the twins Viola and Sebastian , who are separated in a shipwreck.
Twelfth Night is a 1933 American Pre-Code short color film, notable as the very earliest surviving film directed by Orson Welles, then aged 17.It is a recording of the dress rehearsal of Welles's own abridged production at his alma mater, the Todd School for Boys, where he had returned to direct this adaptation of Shakespeare's Twelfth Night for the Chicago Drama Festival in 1933.
Malvolio is a fictional character in William Shakespeare's comedy Twelfth Night, or What You Will. His name means "ill will" in Italian, referencing his disagreeable nature. [1] He is the vain, pompous, authoritarian steward of Olivia's household.
O Mistress Mine is an Elizabethan song which appears in Shakespeare's play Twelfth Night. It is sung by the character Feste, who is asked to sing a love song by Sir Andrew Aguecheek and Sir Toby Belch. The words of the song are addressed to the singer/poet's lover.
Feste is a fictional character in William Shakespeare's comedy Twelfth Night.He is a fool (royal jester) attached to the household of the Countess Olivia.He has apparently been there for some time, as he was a "fool that the Lady Olivia's father took much delight in" (2.4).
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Help; Learn to edit; Community portal; Recent changes; Upload file
Twelfth Night is an 1815 satirical cartoon by the British caricaturist George Cruikshank. [1] It was published in January 1815, between the first defeat of Napoleon and his return for the Waterloo Campaign. It focuses on the ongoing Congress of Vienna which Cruikshank depicts as the "Theatre Royal, Europe". [2]