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A finite-state transducer (FST) is a finite-state machine with two memory tapes, following the terminology for Turing machines: an input tape and an output tape. This contrasts with an ordinary finite-state automaton , which has a single tape.
With the advancement of neural networks in natural language processing, it became less common to use FST for morphological analysis, especially for languages for which there is a lot of available training data. For such languages, it is possible to build character-level language models without explicit use of a morphological parser. [1]
Each year when the clock strikes midnight on New Year's, people around the world sing one song in unison. "Auld Lang Syne" has long been a hit at New Year's parties in the U.S. as people join ...
Pop singer is accused of copying a classic song by Brazilian singer Tonhino Geraes. ... 62, is seeking royalties from the pop singer’s 2015 track “Million Years Ago” from her third album, 25.
A transductor is a type of magnetic amplifier used in power systems for compensating reactive power.It consists of an iron-cored inductor with two windings - a main winding through which an alternating current flows from the power system, and a secondary control winding which carries a small direct current.
It is commonly used as a unit of time to denote length of time before the present in 10 9 years. This initialism is often used in the sciences of astronomy , geology , and paleontology . The "billion" in bya is the 10 9 "billion" of the short scale of the U.S. , [ 1 ] not the long-scale 10 12 "billion" of some European usage.
"Bésame Mucho" (Spanish: [ˈbesame ˈmutʃo]; "Kiss Me A Lot") is a bolero song written in 1932 by Mexican songwriter Consuelo Velázquez. [2] It is one of the most popular songs of the 20th century and one of the most important songs in the history of Latin music. It was recognized in 1999 as the most recorded and covered song in Spanish of ...
Cucurrucucú paloma" (Spanish for Coo-coo dove) is a Mexican huapango-style song written by Tomás Méndez in 1954. [1] The title is an onomatopeic reference to the characteristic call of the mourning dove, which is evoked in the refrain. The lyrics allude to love sickness.