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The Franz Liszt Academy of Music (Hungarian: Liszt Ferenc Zeneművészeti Egyetem, often abbreviated as Zeneakadémia, "Liszt Academy") is a music university and a concert hall in Budapest, Hungary, founded on November 14, 1875.
For Liszt to so radically alter the music's notation while remaining true to the essential idea behind it shows a tremendous amount of ingenuity on his part. The scoring, material and layout of the Second Piano Concerto also suggest the influence of Weber 's Konzertstück in F minor for piano and orchestra.
Alexander Frey performs Franz Liszt's largest keyboard work, the epic Fantasy and Fugue on "Ad nos ad salutarem undam" for organ. In this live performance, Mr. Frey begins the work with the actual chorale (the chorale of the Anabaptists, "Ad nos, ad salutarem undam") from Giacomo Meyerbeer's opera, "Le Prophète", on which Liszt based this piece.
2nd version of S.171a/4; arr. for org/harm by Liszt and Alexander Wilhelm Gottschalg as S.672d/2; arr. for vc pf/org/harm by Liszt and Deswert as S.382a/2 172/5 A111b/5 (Andantino) pf E major 1849–50 Piano, original 2nd version of S.171a/5; arr. for org/harm by Liszt and Gottschalg as S.672d/3 172/6 A111b/6 (Allegretto sempre cantabile) pf E ...
Kelemen began studying the violin under Valéria Baranyai. As a student of Eszter Perényi, he graduated from the Liszt Academy of Music in 2001. He was enormously influenced by his later masters, Isaac Stern (1994-2001), Ferenc Rados (1993-), and Zoltán Kocsis (1998-2016), and by the several recordings and movie films of his grandfather from the 1930s (legendary gypsy ‘prímás ...
Pesce, Dolores, "Liszt's sacred choral music" Howard, Leslie, Notes for Hyperion CDA66371/2, Liszt at the Opera I, Leslie Howard, piano. Howard, Leslie, Notes for Hyperion CDA66811/2, Liszt Dances and Marches, Leslie Howard, piano. Le Van, Eric, Notes for BMG-Arte Nova 74321 76809 2/ Oehms Classics OC 246. Complete Works for Cello and Piano.
Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.
The pieces are all based on some of the Caprices (Nos. 6/5, 17, 1, 9, and 24) and concertos (No. 2/1) by Niccolò Paganini for violin, and are among the most technically demanding pieces in pianistics (especially the original versions, before Liszt revised them, thinning the textures and removing some of the more outrageous technical difficulties).