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The Train is a 1964 war film directed by John Frankenheimer [1] and starring Burt Lancaster, Paul Scofield and Jeanne Moreau.The picture's screenplay—written by Franklin Coen, Frank Davis, and Walter Bernstein—is loosely based on the non-fiction book Le front de l'art by Rose Valland, who documented the works of art placed in storage that had been looted by Nazi Germany from museums and ...
John Michael Frankenheimer (February 19, 1930 – July 6, 2002) [1] was an American film and television director known for social dramas and action/suspense films. Among his credits were Birdman of Alcatraz (1962), The Manchurian Candidate (1962), Seven Days in May (1964), The Train (1964), Seconds (1966), Grand Prix (1966), French Connection II (1975), Black Sunday (1977), The Island of Dr ...
The Train, an American ... a 1988 action video game based on the 1964 film (see above) The Train Game, a 1983 train simulation video game; Literature
The year 1964 in film involved some significant events, including three highly successful musical films, Mary Poppins, My Fair Lady, and The Umbrellas of Cherbourg. Top-grossing films (U.S.) [ edit ]
The Ghost Train: 1941: The Girl on the Train: 2016: Go West (Marx Bros.) 1940: GoldenEye: 1995: The Great K & A Train Robbery: 1926: The Great Locomotive Chase: 1956 [2] Walt Disney Pictures: The Great St Trinian's Train Robbery: 1966: The Great Train Robbery: 1903: The Greatest Show on Earth: 1952: The Grey Fox: 1982: Grifters: 1990: The ...
This movie—Rod Taylor vs. the Mau Maus—was the most violent I'd seen up to that time. There's a scene where Taylor fights an ex-Nazi with chain saws. In another scene, a train full of refugees has finally escaped the Mau Maus in the valley below—and just as it's about to reach the top of a hill, the power fails, the train goes all the way ...
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The Monthly Film Bulletin wrote: "Weak invention, mundane playing and nondescript direction make this a very flat-footed espionage melodrama. The opening scenes in London, and the cat-and-mouse finale, sandwich a lengthy middle section aboard the train, where the setting is not well exploited and the raucous party revelry is allowed to become too repetitive in order to spin out a meagre plot.