Search results
Results from the WOW.Com Content Network
In February 1967, Country Joe and the Fish entered Sierra Sound Laboratories to record their debut album, Electric Music for the Mind and Body, with Charters and Denson overseeing the process. Prior to their studio work, Armstrong left the group and began a two-year alternative assignment as a conscientious objector , driving a truck for ...
In 1965, he and Barry Melton co-founded Country Joe & the Fish which became a pioneer psychedelic rock band with their eclectic performances at the Avalon Ballroom, the Fillmore Auditorium, the 1967 Monterey Pop Festival, and both the 1969 original and 1979 reunion Woodstock Festivals.
Country Joe and the Fish were originally formed in 1965 by Country Joe McDonald and Barry Melton as an acoustic folk/jugband duo. This embryonic version of the group, supplemented by Carl Shrager, Bill Steele and Mike Beardslee, recorded an initial EP in September of that year which was released as a "talking issue" of Rag Baby magazine a month later.
I-Feel-Like-I'm-Fixin'-to-Die is the second studio album by the influential San Francisco psychedelic rock band Country Joe and the Fish, released at the end of 1967.. The album was released just six months after the debut and is another prime example of the band's psychedelic experimentation.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
After leaving Country Joe and the Fish, Cohen moved to England before returning to the United States to join the Blues Project in New York in 1971, touring with the band until mid 1972. [7] He has played with many musicians including Janis Joplin , Luther Tucker , Mick Taylor , Tim Hardin , Jimi Hendrix , [ 8 ] Johnny Winter , Huey Lewis ...
An estimated 140,000 attended the first and probably the last Newport Pop Festival in California's Orange County Aug. 3-4, viewing, among others, Tiny Tim, Jefferson Airplane, Country Joe and the Fish, Grateful Dead, Chambers Brothers, Charles Lloyd, James Cotton Blues Band, Quicksilver Messenger Service, and the Byrds.
Monterey Pop is a 1968 American concert film by D. A. Pennebaker that documents the Monterey International Pop Festival of 1967. Among Pennebaker's several camera operators were fellow documentarians Richard Leacock and Albert Maysles. The painter Brice Marden has an "assistant camera" credit. Titles for the film were by the illustrator Tomi ...