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The pigment analysis of this painting [3] reveals the use of the pigments of the baroque period such as madder lake, yellow ochre, vermilion and lead white.Vermeer did not paint the robe of Christ with his usual blue pigment of choice ultramarine (see for example The Milkmaid) but with a mixture of smalt, indigo and lead white.
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Virgin and Child. Wall painting from the early catacombs, Rome, 4th century. Early Christian art survives from dates near the origins of Christianity, although many early Christians associated figurative art with pagan religion, and were suspicious or hostile towards it. Over time, this lessened.
Raphael Tuck, founder. Raphael Tuck was born in Koschmin, East Prussia on 7 August 1821, worked as a carpenter, and married Ernestine Lissner in March 1848. [2] [3] The couple's family of four boys and three girls were all born in Prussia, before they moved to London in 1864 as refugees from the Second Schleswig War. [4]
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Girl inspecting her hope chest, by Poul Friis Nybo, c. 1900 Renaissance hope chest from Florence (15th century) A hope chest , also called dowry chest , cedar chest , trousseau chest , or glory box, is a piece of furniture once commonly used by unmarried young women to collect items, such as clothing and household linen, in anticipation of ...
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