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Zarzuela is characterized by a mixture of sung and spoken dialogue. Although Juan Hidalgo de Polanco's early forays into opera were more along the lines of Italian opera, he was instrumental in helping to create the art form, composing the first known zarzuela, El laurel de Apolo, in 1657. The courtly Baroque zarzuela, a mixture of ...
It has played an important role in the development of Western music, and has greatly influenced Latin American music. Spanish music is often associated with traditional styles such as flamenco and classical guitar. While these forms of music are common, there are many different traditional musical and dance styles across the regions.
Poster of Doña Francisquita. Zarzuela (Spanish pronunciation: [θaɾˈθwela]) is a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular songs, as well as dance.
Pasticcio – Opera made up of various pieces from other compositions. Singspiel – Form of German light opera, typically with spoken dialogue. Zarzuela – Spanish lyric-dramatic genre that incorporates operatic and popular songs, as well as dance. Oratorio – Large composition for orchestra, choir, and soloists, typically based on a ...
When L.A. Opera invited Gustavo Santaolalla to write a new score for the Spanish version of the 1931 film “Dracula” to be performed live with an orchestra, the Oscar-winning composer was ...
Minuet in the Classical period. A minuet (/ ˌ m ɪ nj u ˈ ɛ t /; also spelled menuet) is a social dance of French origin for two people, usually written in 3 4 time but always played as if in 6 8 (compound duple metre) to reflect the step pattern of the dance. The English word was adapted from the Italian minuetto and the French menuet.
Goyescas is an opera in one act and three tableaux, written in 1915 by the Spanish composer Enrique Granados.Granados composed the opera to a Spanish libretto by Fernando Periquet y Zuaznabar with melodies taken from his 1911 piano suite, which was also called Goyescas.
At that time, Naples was a Spanish possession, and the opera had the patronage of the Spanish viceroys, especially conde de Oñate. Among the main novelties, a distinction was made between two types of recitative: secco, a declamatory song with basso continuo accompaniment; and accompagnato, a melodic song with orchestral music. [44]