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Judy Dater uses photography as an instrument for challenging traditional conceptions of the female body. Her early work paralleled the emergence of the feminist movement and her work became strongly associated with it. At a time when female frontal nudity was considered risqué Dater pushed the boundaries by taking pictures of the naked female ...
This image, addressing the role of religious and art historical iconography in the subordination of women, became "one of the most iconic images of the feminist art movement." [17] [18] Photography became a common medium used by feminist artists. It was used, in many ways, to show the "real" woman.
In the late twentieth century, the second wave feminist movement in the United States and the gay liberation movement following the Stonewall riots inspired efforts to create a cohesive lesbian identity with dedicated cultural artifacts such as explicitly lesbian art, including lesbian photography. These images developed new artistic trends ...
They argue, for example, that feminism often promotes misandry and the elevation of women's interests above men's, and criticize radical feminist positions as harmful to both men and women. [332] Daphne Patai and Noretta Koertge argue that the term "anti-feminist" is used to silence academic debate about feminism.
Vera Elkan (1908–2008), remembered for her images of the International Brigades in the Spanish Civil War; Phumzile Khanyile (born 1991) Constance Stuart Larrabee (1914–2000), South African's first female World War II correspondent, also known for images of South Africa; Carla Liesching (born 1985), visual artist specialising in photography
Joan E. Biren or JEB (born July 13, 1944) is an American feminist photographer and film-maker, who dramatizes the lives of LGBT people in contexts that range from healthcare and hurricane relief to womyn’s music and anti-racism.
Sally Mann (born Sally Turner Munger; May 1, 1951) [1] is an American photographer known for making large format black and white photographs of people and places in her immediate surroundings: her children, husband, and rural landscapes, as well as self-portraits.
From the 1960s through the 1980s, her work appeared in such publications as Life, The New York Times, and The Boston Globe. [4] Davies aligned herself with the Gay Liberation Front and contributed images to Come Out!, a magazine published by the GLF. [6] She documented the first [Pride Parade] in New York City on 28 June 1970. [7]