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The Brunelleschi Crucifix is a polychrome painted wooden sculpture by the Italian artist Filippo Brunelleschi, made from pearwood around 1410-1415, and displayed since 1572 in the Gondi Chapel at the church of Santa Maria Novella in Florence. This idealised depiction of the crucifixion of Jesus measures around 170 cm × 170 cm (67 in × 67 in).
Open-source, cross-platform C library to generate PDF files. OpenPDF: GNU LGPLv3 / MPLv2.0: Open source library to create and manipulate PDF files in Java. Fork of an older version of iText, but with the original LGPL / MPL license. PDFsharp: MIT C# developer library to create, extract, edit PDF files. Poppler: GNU GPL
Giotto's Crucifix at Santa Maria Novella is a cross painted in tempera and gold on wood panel (578 x 406 cm) by Giotto di Bondone around 1290-1295. The crucifix is preserved in the center of the nave of Florence's Santa Maria Novella basilica. It is one of the earliest known works by the artist, then in his early twenties.
The painting is significant in the history of Italian painting for its iconography of the patient, suffering Christ on the cross; although then new, it quickly replaced the older style, depicting Christ triumphant and free from pain, with open eyes and a regal bearing free from sorrow. [1] The painting contains all the canonical elements of ...
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire.The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as ...
The crosses are intricately carved of oak wood, and sometimes incorporate iron elements as well. Their craftsmen, known as kryždirbiai , travel across the country. The most renowned Lithuanian cross crafter and god carver was the self-taught Vincas Svirskis (1835–1916), whose crosses, once seen across central Lithuania, are now kept in ...
Cimabue achieves a masterful handling of colour; medieval churches tended to be extremely colourful, with frescoed walls, painted capitals, and gold leaf paintings. [8] Pale tonalities dominate, with the main contrast found in the dark areas of Christ's hair and beard, which are utilised to make the features of his face stand out more and position his head as the focal point.
The Shadow of Death is a religious painting by the English painter William Holman Hunt, on which he worked from 1870 to 1873, during his second trip to the Holy Land. [1] It depicts Jesus as a young man prior to his ministry, working as a carpenter. He is shown stretching his arms after sawing wood.