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In Bharatanatyam, the classical dance of India performed by Lord Nataraja, approximately 48 root mudras (hand or finger gestures) are used to clearly communicate specific ideas, events, actions, or creatures in which 28 require only one hand, and are classified as `Asamyuta Hasta', along with 23 other primary mudras which require both hands and are classified as 'Samyuta Hasta'; these 51 are ...
Kathak performances include Urdu ghazal and commonly used instruments brought during the Mughal period. [5] As a result, it is the only Indian classical dance form to feature Persian elements. [6] Kathak is found in three distinct forms, called "gharana", named after the cities where the Kathak dance tradition evolved – Jaipur, Banares and ...
The earliest mention of Kathak as an art form is found in the Arjuna-Vanavasa chapter of the Aadi-Parva of Mahabharata. In its initial phase, Kathak is regarded to have been a mimetic representation of Puranic literature accompanied with dance. Kathakas were Granthikas reciting stories related to Vishnu. When Krishna was identified with Vishnu ...
Tawaif Mah Laqa Bai dancing in court. Mujra is a dance performance by man/woman in a format that emerged during Mughal rule in India, where the elite class and local rulers like the nawabs of the Indian society (often connected to the Mughal emperor's court) used to frequent tawaifs (courtesans) for their entertainment.
Krishna and Radha dancing the rasalila, a 19th-century painting, Rajasthan. The Raslila (Sanskrit: रासलीला, romanized: Rāsalīlā), [1] [2] also rendered the Rasalila or the Ras dance, is part of a traditional story described in Hindu texts such as the Bhagavata Purana and Gita Govinda, where Krishna dances with Radha and the gopis of Braj.
Asi-Te-Karave Yied (2008) is a Kashmiri adaption of the story by Shehjar Children's Theatre Group, Srinagar. [6] Mujeeb Khan has also adapted it into a play as part of the series Adaab Mein Premchand Hoon. [7] The Rashtriya Kathak Sansthan, Lucknow, has adapted the story into a Kathak performance. [8]
Kathakali is different from a similar-sounding Kathak, though both are Indian classical dance traditions of "story play" wherein the stories have been traditionally derived from the Hindu epics and the Puranas. Kathak is an ancient performance art that emerged in North India, with roots in traveling bards retelling mythical and spiritual ...
Sitara Devi (born Dhanlakshmi; 8 November 1920 – 25 November 2014) was an Indian dancer of the classical Kathak style of dancing, a singer, and an actress. She was the recipient of several awards and accolades, and performed at several prestigious venues in India and abroad; including the Royal Albert Hall, London (1967) and at the Carnegie Hall, New York (1976).