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Streets of Fire is the second album of the hard rock project Place Vendome.The songwriting for this album was provided by Torsti Spoof (Leverage), Ronny Milianowicz (Saint Deamon), Robert Säll (Work of Art) and Magnus Karlsson (Primal Fear).
Toggle Music subsection. 3.1 Albums. 3.2 Songs. ... Download as PDF; Printable version; ... "Set Me Free", by Casting Crowns from Lifesong
Crisis / Secret / Set Me Free is the second EP by American singer-songwriter Joshua Bassett, released on December 3, 2021, through Warner Records. The songs reflect the singer's personal life experiences with lyrics expressing his feelings during hard times.
This is a set category. It should only contain pages that are Casting Crowns songs or lists of Casting Crowns songs , as well as subcategories containing those things (themselves set categories). Topics about Casting Crowns songs in general should be placed in relevant topic categories .
Set Me Free is a 2014 album by Jennifer Knapp, released on Righteous Babe Records. [4] The folk rock album is the second full length released by Knapp after a public declaration that she is a lesbian and choosing to market her music outside of the Christian music industry. [5] The album has received positive reviews.
Set Me Free is Marion Raven's North American and European debut album released under indie label Eleven Seven Music. The album incorporates a mixture of fresh tracks and previously released tracks, with some revised versions, from her Asian and Scandinavian debut album, Here I Am. She also played the piano, acoustic and electric guitars on the ...
"Joyful, Joyful" is a song by contemporary Christian music band Casting Crowns from their fourth studio album Until the Whole World Hears (2009). Written by Mark Hall and Bernie Herms and produced by Mark A. Miller, the song is a re-interpretation of the hymn "Joyful, Joyful We Adore Thee" and Ludwig van Beethoven's Symphony No. 9.
"Set Me Free" is a song by Ray Davies, released first by the Kinks in 1965. Along with " Tired of Waiting for You ", it is one of band's first attempts at a softer, more introspective sound. The song's B-side, " I Need You ", makes prominent use of powerchords in the style of the Kinks' early, "raunchy" sound.
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