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On guitar, sweep-picking is a technique used for rapid arpeggiation, which is most often found in rock music and heavy metal music. Along with scales, arpeggios are a form of basic technical exercise that students use to develop intonation and technique. They can also be used in call and response ear training dictations, either alone or in ...
The upper voice of a fundamental structure, which is the fundamental line, utilizes the descending direction; the lower voice, which is the bass arpeggiation through the fifth, takes the ascending direction (fig. 1). [...] The combination of fundamental line and bass arpeggiation constitutes a unity. [...] Neither the fundamental line nor the ...
Free Composition, Example 4. Fundamental line in relation to the tonic triad. The possible primary tones are shown as whole notes: , or . The minimal fundamental structure. Primary tone: . Play ⓘ. In Schenkerian analysis, the primary tone or head tone (German: Kopfton) is the starting tone of the fundamental line. The fundamental line itself ...
A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
Racing is part of regular music as well. "Accelerando” and “stringendo” are terms used to indicate to the player that the piece is to pick up steam. Music that races can also quicken the pulse.
First-order arpeggiation. Arpeggiated motion leading to the primary tone of the fundamental line. The term has been proposed by Forte & Gilbert. [7] See also Schenkerian analysis: Initial ascent, initial arpeggiation. Foreground (German: Vordergrund) See Structural level. Free Composition (German: freier Satz)
The example shown here may at first be considered a mere elaboration of an F major chord, an arpeggiation in three voices, with passing notes (shown here in black notes without stem) in the two higher voices: it is an exemplification of the tonal space of F major.
In Schenkerian analysis, the bass arpeggiation (German: Bassbrechung) is the bass pattern forming the deep background of tonal musical works. It consists in scale steps (de: Stufen ) I-V-I, each of which may span hundreds of measures of music in the foreground .