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Viola da mano, detail from an engraving by Marcantonio Raimondi, was made before 1510. It depicts poet Giovanni Filoteo Achillini playing the instrument. The vihuela, as it was known in Spanish, was called the viola de mà in Catalan, viola da mano in Italian and viola de mão in Portuguese. The two names are functionally synonymous and ...
Blind from birth, he composed a Libro de música para vihuela intitulado Orphenica Lyra (Seville, 1554), dedicated to Philip II of Spain. At the arrival of Isabel de Valois , third wife of Philip II, she brought with her a group of French instrumental musicians who wished to stay in the Spanish court; Fuenllana alternated with this group and ...
He received a Master of Music from the University of Washington in 1942, and a Doctor of Philosophy in 1953 from New York University with a dissertation entitled The 'Vihuela de mano' and its Music (1536-1576). His teachers were Otto Gombosi, Curt Sachs, Gustave Reese and George Herzog, and he took private composition lessons with Darius Milhaud.
mandolinos de concheros or mandolina conchera: with 4 double courses (8 strings), tuned as mandolin (g-d-a-e). [3] [4] vihuelas de concheros or vihuela conchera: with 5 double courses (10 strings). Tuned as vihuela, but in the 3rd, 4th and 5th courses, each string in a course tuned to an octave of the other string. [3] [4] [5]
“Printing the Art of Orpheus: Vihuela Tablatures in Sixteenth-Century Spain”. Early Music Printing and Publishing in the Iberian World. Ed. Iain Fenlon and Tess Knighton. De Musica 11. Kassel: Edition Reichenberger, 2006. 181–214. “The Two Renaissances of the vihuela — Los dos renacimientos de la vihuela”. Goldberg 33 (April 2005 ...
Vihuela de mano shared extreme similarities with the Renaissance guitar as it used hand movement at the sound hole or sound chamber of the instrument to create music. [158] By 1790 only six-course vihuela guitars (six unison-tuned pairs of strings) were being created and had become the main type and model of guitar used in Spain.
Within two or three decades, this led to the evolution of an entirely new and dedicated bowed string instrument that retained many of the features of the vihuela: e.g., a flat back, sharp waist-cuts, frets, thin ribs initially, and identical tuning—hence its original name, vihuela de arco; arco is Spanish for "bow".
Luis de Milán (also known as Lluís del Milà or Luys Milán) (c. 1500 – c. 1561) was a Spanish Renaissance composer, vihuelist, and writer on music.He was the first composer in history to publish music for the vihuela de mano, an instrument employed primarily in the Iberian peninsula and some of the Italian states during the 15th and 16th centuries, and he was also one of the first ...