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One consequence was the phrase vihuela de mano being thereafter applied to the original plucked instrument. The term vihuela became "viola" in Italian ("viole" in Fr.; "viol" in Eng.), and the bowed vihuela de arco was to serve as a prototype in the hands of the Italian craftsmen for the " da gamba " family of fretted bowed string instruments ...
mandolinos de concheros or mandolina conchera: with 4 double courses (8 strings), tuned as mandolin (g-d-a-e). [3] [4] vihuelas de concheros or vihuela conchera: with 5 double courses (10 strings). Tuned as vihuela, but in the 3rd, 4th and 5th courses, each string in a course tuned to an octave of the other string. [3] [4] [5]
Vihuela de mano shared extreme similarities with the Renaissance guitar as it used hand movement at the sound hole or sound chamber of the instrument to create music. [158] By 1790 only six-course vihuela guitars (six unison-tuned pairs of strings) were being created and had become the main type and model of guitar used in Spain.
Luis de Milán (also known as Lluís del Milà or Luys Milán) (c. 1500 – c. 1561) was a Spanish Renaissance composer, vihuelist, and writer on music.He was the first composer in history to publish music for the vihuela de mano, an instrument employed primarily in the Iberian peninsula and some of the Italian states during the 15th and 16th centuries, and he was also one of the first ...
Fuenllana was adept at finding apt harmonies and counterpoint to popular melodies: some of these traditional pieces are De los alamos vengo, madre, used by Lope de Vega; Morenica, dame, Con que la lavare, De Antequera sale el moro, and the romance of the loss of Antequera; thus, he presaged the coming of the accompanied melody of the Italians ...
Within two or three decades, this led to the evolution of an entirely new and dedicated bowed string instrument that retained many of the features of the vihuela: e.g., a flat back, sharp waist-cuts, frets, thin ribs initially, and identical tuning—hence its original name, vihuela de arco; arco is Spanish for "bow".
The Mexican vihuela is a small, deep-bodied rhythm guitar built along the same lines as the guitarrón. The Mexican vihuela is used by Mariachi groups. This instrument is strummed with all of the fingernail tips to produce a rich, full and clear sound of the chords being played.
The guitar (as we know it today or in one of its historical versions) has been present in Cuba since the discovery of the island by Spain. As early as the 16th century, a musician named Juan Ortiz, from the village of Trinidad, is mentioned by famous chronicler Bernal Díaz del Castillo as “gran tañedor de vihuela y viola” (a great performer of the “vihuela” - a guitar ancestor - and ...