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"Because I could not stop for Death" is a lyrical poem by Emily Dickinson first published posthumously in Poems: Series 1 in 1890. Dickinson's work was never authorized to be published, so it is unknown whether "Because I could not stop for Death" was completed or "abandoned". [1] The speaker of Dickinson's poem meets personified Death. Death ...
Deor" (or "The Lament of Deor") is an Old English poem found on folio 100r–100v of the late-10th-century collection [1] the Exeter Book. The poem consists of a reflection on misfortune by a poet whom the poem is usually thought to name Deor. The poem has no title in the Exeter Book itself; the title has been bestowed by modern editors.
Gone From My Sight", also known as the "Parable of Immortality" and "What Is Dying" is a poem (or prose poem) presumably written by the Rev. Luther F. Beecher (1813–1903), cousin of Henry Ward Beecher and Harriet Beecher Stowe. At least three publications credit the poem to Luther Beecher in printings shortly after his death in 1904. [1]
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The poem is recited in the 1998 film, Velvet Goldmine. [citation needed] The 2003 movie, Identity, repeats the last verse of the poem at various parts in the movie, replacing its last presented line by the actual last line of the first verse. [citation needed] The 2009 horror film, The Haunting in Connecticut, quotes part of the poem. [citation ...
In addition to its inclusion among the many translations of Catullus' collected poems, Catullus 101 is featured in Nox (2010), a book by Canadian poet and classicist Anne Carson that comes in an accordion format within a box. Nox concerns the death of Carson's own brother, to which the poem of Catullus offers a parallel. Carson provides the ...
Michael. A Pastoral Poem: 1800 "If from the public way you turn your steps" Poems founded on the Affections. 1800 The Idle Shepherd-boys; or, Dungeon-Ghyll Force. 1800 A Pastoral "The valley rings with mirth and joy;" Poems referring to the Period of Childhood. 1800 The Pet-lamb 1800 A Pastoral "The dew was falling fast, the stars began to blink;"
Funeral Blues", or "Stop all the clocks", is a poem by W. H. Auden which first appeared in the 1936 play The Ascent of F6. Auden substantially rewrote the poem several years later as a cabaret song for the singer Hedli Anderson. Both versions were set to music by the composer Benjamin Britten.