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Composed between 1894 and 1895, Rimsky-Korsakov based his opera on a short story, "Christmas Eve", from Nikolai Gogol's 1832 collection Evenings on a Farm Near Dikanka. [2] The story had been used as the basis for an opera at least three times previously, including for Tchaikovsky's Vakula the Smith (1874). [3]
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Collection of Sacred Musical Compositions by N.A. Rimsky-Korsakov Used at the Imperial Court. Four-Voice Compositions from the Liturgy of St. John Chrysostom, Op. 22, 1883; contains 8 pieces; Collection of Sacred Musical Arrangements by N.A. Rimsky-Korsakov Used at the Imperial Court, Op. 22b, 1884; contains 6 hymns based on chant melodies
The success of Rimsky-Korsakov's Christmas Eve encouraged him to complete an opera approximately every 18 months between 1893 and 1908 — a total of 11 during this period. [89] He also started and abandoned another draft of his treatise on orchestration, [73] but made a third attempt and almost finished it in the last four years of his life.
Russian Easter Festival Overture: Overture on Liturgical Themes (Russian: Светлый праздник, romanized: Svetly prazdnik, lit. 'Bright festival'), Op. 36, also known as the Great Russian Easter Overture, is a concert overture written by the Russian composer Nikolai Rimsky-Korsakov between August 1887 and April 1888.
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Pages in category "Operas by Nikolai Rimsky-Korsakov" The following 16 pages are in this category, out of 16 total. ... Christmas Eve (opera) G. The Golden Cockerel ...
Mozart and Salieri (Russian: Моцарт и Сальери, romanized: Motsart i Salyeri listen ⓘ) is a one-act opera in two scenes by Nikolai Rimsky-Korsakov, written in 1897 to a Russian libretto taken almost verbatim from Alexander Pushkin's 1830 verse drama of the same name.