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Faux finishing has been used for millennia, from cave painting to the tombs of ancient Egypt, but what we generally think of as faux finishing in the decorative arts began with plaster and stucco finishes in Mesopotamia over 5,000 years ago. Faux painting became popular in classical times in the forms of faux marble, faux wood, and trompe-l ...
A hostile review published on November 3, 1862 in the journal Gazzetta del Popolo marks the first appearance in print of the term Macchiaioli. [5] The term carried several connotations: it mockingly implied that the artists' finished works were no more than sketches, and recalled the phrase "darsi alla macchia", meaning, idiomatically, to hide ...
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Marbleizing (also spelt marbleising [1]) or faux marbling is the preparation and finishing of a surface to imitate the appearance of polished marble.It is typically used in buildings where the cost or weight of genuine marble would be prohibitive.
Underpaintings are often monochromatic and help to define color values for later painting. Underpainting gets its name because it is painting that is intended to be painted over (see overpainting) in a system of working in layers. There are several different types of underpainting, such as veneda, verdaccio, morellone, imprimatura and grisaille ...
it is mechanically polished using stones or abrasives harder than the plaster, providing a smooth, sometimes shiny, finish. lastly, an olive-oil soap solution is used to seal the plaster Long-term maintenance of tadelakt requires regularly re-sealing the surface with a soap solution; [ 3 ] in the case of qadad roofs, this was traditionally done ...
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Italian scagliola top, second half of the 18th century. Scagliola (from the Italian scaglia, meaning "chips") is a type of fine plaster used in architecture and sculpture.The same term identifies the technique for producing columns, sculptures, and other architectural elements that resemble inlays in marble. [1]
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