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The Clyfford Still Museum is an art museum in Denver, Colorado. [1] The museum's collection includes 3,125 works by abstract expressionist Clyfford Still (1904–1980), which represents 93 percent of the artist's lifetime output and complete archives. [2]
Clyfford Still (November 30, 1904 – June 23, 1980) was an American painter, and one of the leading figures in the first generation of Abstract Expressionists, who developed a new, powerful approach to painting in the years immediately following World War II.
Clyfford Still Collection, Clyfford Still Museum, Denver, CO ($150,000) The Corcoran Gallery of Art, The Corcoran Gallery of Art, Washington, DC ($250,000) Farnsworth House, Landmarks Preservation Council of Illinois, Plano, IL ($137,630) The Three Arts Club, The Three Arts Club of Chicago, Chicago, IL ($100,000)
[8] The gallery closed after a final exhibit by Clyfford Still in the spring of 1950. Still’s final Metart exhibit was highly anticipated and well received. Soon after, he departed the San Francisco Bay Area for New York City. [9] Within the abstract idiom, Longfield experimented with both thicker and thinner paint applications.
[25] [26] After Denver, the exhibit is planned to show at the Portland Art Museum and then embark on a two-year international tour. [27] Dean Sobel, director of the Clyfford Still Museum, is curator of the exhibit. [25] In Portland, "Case Work" will be on view from June 4 through September 4, 2016. [28]
Jon Schueler (September 12, 1916 – August 5, 1992) was an American painter known for his large-scale, abstract compositions which evoke nature. [1] Recognized first as a second-generation Abstract Expressionist he lived in New York City and in Mallaig, Scotland, inspired by the dramatic skies over the Sound of Sleat. [2]
The colony was founded by Worth Griffin and Clyfford Still, who created the first extensive visual record of the Nespelem people. Griffin and Still admitted 15 to 20 students at a time into the colony, of whom some were professionals. They put in exhaustive hours during the week on portraits and landscapes, then sketched at Grand Coulee on ...
The 1949 photo of Ruin at Daphne and the photo of the first two states of De Kooning's painting in 1950 were photographed by the same photographer, Rudolph Burckhardt. [12] Not only were both works "process paintings", in which the artists' ideas evolved in response to the changing appearance of the pictures, [ 13 ] but neither artist regarded ...