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Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture.
Two Nudes (French: Deux Nus; also known as Two Women and Dones en un paisatge) is an early Cubist painting by the French artist and theorist Jean Metzinger.The work was exhibited at the first Cubist manifestation, in Room 41 of the 1911 Salon des Indépendants, Paris.
Composition for "Jazz", or Composition (For "Jazz"), is a 1915 painting by the French artist, theorist and writer Albert Gleizes.This Cubist work was reproduced in a photograph of Gleizes working on the painting in the Xeic York Herald, then published in The Literary Digest, 27 November 1915 (p. 1225). [1]
In 1949, Paul Rosenberg sold his painting to the Museum of Modern Art, and it was acquired through the Mrs. Simon Guggenheim Fund. In 2023, an exhibition at the Museum of Modern Art reunited the two versions with two versions of Three Women at the Spring which were created at the same time. [4]
The collaboration between Albert Gleizes and Jean Metzinger that would lead to the publication of Du "Cubisme" began during the aftermath of the 1910 Salon d'Automne. [3] At this massive Parisian exhibition, renowned for displaying the latest and most radical artistic tendencies, several artists including Gleizes, and in particular Metzinger, stood out from the rest.
The Blue Bird (French: L'Oiseau bleu) is an oil painting created in 1912–1913 by the French artist and theorist Jean Metzinger. L'Oiseau bleu, one of Metzinger's most recognizable and frequently referenced works, was first exhibited in Paris at the Salon des Indépendants in the spring of 1913 (cat. no. 2087), [1] several months after the publication of the first (and only) Cubist manifesto ...
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Girl with a Mandolin is a 1910 painting within the Cubist movement by Pablo Picasso in Paris. The artwork was one of Picasso’s early Analytic Cubist creations. [1] It is part of the collection of the Museum of Modern Art, in New York. [2] Artist and historian John Golding wrote in Cubism: A History and an Analysis, 1907-1914: