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"Beside You" is a song by English singer-songwriter James Blunt. It was released by Atlantic Records UK on 2 August 2023 as the lead single from the singer's seventh studio album, Who We Used to Be. [1] The song loosely interpolates "Alla Luce Del Giorno" by Italian composer Ennio Morricone. [2]
Van Morrison remarked on this song: "'Beside You' is the kind of song that you'd sing to a kid or somebody you love. It's basically a love song, just a song about being spiritually beside somebody." The child that would have inspired the song was his adopted son by Janet, his wife at that time. It is sung with a "hushed wonder" and in it the ...
"Heaven Beside You" is a song by American rock band Alice in Chains and the second single from their third studio album, Alice in Chains (1995). It was written by guitarist and vocalist Jerry Cantrell about his relationship with his then-girlfriend, Courtney Clarke. [ 3 ]
"Beside You" is a song written by Michael Kamen and Mark Snow and released on New York Rock & Roll Ensemble's fourth album Roll Over in 1971. [1]When Kamen was asked to compose a soundtrack for Vincent Ward's 1998 film What Dreams May Come on an accelerated time scale after the original score was rejected, he adapted "Beside You", and used it as the basis for the score. [1]
Beside You may refer to: Beside You: 30 Years of Hits, Dave Dobbyn album "Beside You" (Van Morrison song) "Beside You" (Marianas Trench song)
"Beside You" is a single by New Zealand singer/songwriter Dave Dobbyn released in 1999 as the only single from his album The Islander. It reached No. 28 on the New Zealand music charts. It reached No. 28 on the New Zealand music charts.
"Right Beside You" is a song by American singer-songwriter Sophie B. Hawkins, released in July 1994 by Columbia as the first single from the singer's second album, Whaler (1994). The song reached number 56 on the US Billboard Hot 100 and number seven on the Canadian RPM 100 Hit Tracks chart.
"Let Me Sleep Beside You" is a song written and recorded by the English singer-songwriter David Bowie. It was recorded on 1 September 1967 at Advision Studios in London and marked the beginning of Bowie's working relationship with producer Tony Visconti, which would last for the rest of Bowie's career.