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Sovereignty goddess is a scholarly term, almost exclusively used in Celtic studies (although parallels for the idea have been claimed in other traditions, usually under the label hieros gamos). [1] The term denotes a goddess who, personifying a territory, confers sovereignty upon a king by marrying or having sex with him.
The Celtic deities are known from a variety of sources such as written Celtic mythology, ancient places of worship, statues, engravings, religious objects, as well as place and personal names. Celtic deities can belong to two categories: general and local.
"Macha Curses the Men of Ulster", Stephen Reid's illustration from Eleanor Hull's The Boys' Cuchulainn (1904) Macha (Irish pronunciation:) was a sovereignty goddess [1] [2] of ancient Ireland associated with the province of Ulster, particularly the sites of Navan Fort (Eamhain Mhacha) [3] and Armagh (Ard Mhacha), [4] which are named after her. [5]
This symbol can be seen on the Cave's metal door, on the Emerald Tablet, in The Stranger's papers, and in the Sic Mundus photo. [10] The Triquetra is shown on Thor's hammer, Mjölnir, in the 2011 film Thor. After Odin utters to Mjölnir the words "Whosoever holds this hammer, if he be worthy, shall possess the power of Thor", the Triquetra ...
Brigid or Brigit (/ ˈ b r ɪ dʒ ɪ d, ˈ b r iː ɪ d / BRIJ-id, BREE-id, Irish: [ˈbʲɾʲiːdʲ]; meaning 'exalted one'), [1] also Bríd, is a goddess of pre-Christian Ireland.She appears in Irish mythology as a member of the Tuatha Dé Danann, the daughter of the Dagda and wife of Bres, with whom she had a son named Ruadán.
"Women in Britain had power and it was a more egalitarian place. That was the biggest problem that Romans had with the Britons because Rome was a deeply patriarchal society.
Nehalennia is almost always depicted with marine symbols and a large, benign-looking dog at her feet. [10] [11] She must have been a Celtic or Germanic deity who was attributed power over trading, shipping, and possible horticulture and fertility. In sculptures and reliefs, she is depicted as a young woman, generally seated.
Epona, the Celtic goddess of horses and riding, lacked a direct Roman equivalent, and is therefore one of the most persistent distinctly Celtic deities.This image comes from Germany, about 200 AD Replica of the incomplete Pillar of the Boatmen, from Paris, with four deities, including the only depiction of Cernunnos to name him (left, 2nd from top)