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A 1979 quilt by Lucy Mingo of Gee's Bend, Alabama. It includes a nine-patch center block surrounded by pieced strips. The quilts of Gee's Bend are quilts created by a group of women and their ancestors who live or have lived in the isolated African-American hamlet of Gee's Bend, Alabama along the Alabama River.
Mrs. Coleman was born in Wilcox county in October 1903, and lived just one mile from the famous Gee’s Bend in the Quilting Bee’s hay day. Minder learned to quilt as a small child, and soon realized she had a knack for the art. Mrs. Coleman was a farmer her whole life, and also spent some years working at a cloth factory, and later an okra factory.
Five patriotic quilts were presented to local veterans during a presentation and luncheon Thursday afternoon in Adrian by the Raisin Valley Quilt Guild.
Whole-cloth quilt, 18th century, Netherlands.Textile made in India. In Europe, quilting appears to have been introduced by Crusaders in the 12th century (Colby 1971) in the form of the aketon or gambeson, a quilted garment worn under armour which later developed into the doublet, which remained an essential part of fashionable men's clothing for 300 years until the early 1600s.
The style of these quilts was determined largely by time period and region, rather than race, and the documented slave-made quilts generally resemble those made by white women in their region. [8] After 1865 and the end of slavery in the United States, African-Americans began to develop their own distinctive style of quilting.
The objectives of the organization include the fostering and preservation of the art of quilt making among women and men of color, researching quilt history and documenting quilts, and offering authentic, handmade African American quilts and fiber art to museums and galleries for exhibition.
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