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Platonic love [1] is a type of love in which sexual desire or romantic features are nonexistent or have been suppressed, sublimated, or purgated, but it means more than simple friendship.
Lorenzo de' Medici was the patron of both Botticelli and Ficino, and extant letters suggest Ficino may have been consulted about the subjects of Botticelli's paintings. Though almost all of Plato's dialogues were unavailable in Western Europe during the Middle Ages, Neo-Platonism and its allegorical philosophy became well-known through various ...
The Symposium [a] is a Socratic dialogue by Plato, dated c. 385 – 370 BC. [1] [2] It depicts a friendly contest of extemporaneous speeches given by a group of notable Athenian men attending a banquet.
Plato's allegory of the cave by Jan Saenredam, according to Cornelis van Haarlem, 1604, Albertina, Vienna. Plato's allegory of the cave is an allegory presented by the Greek philosopher Plato in his work Republic (514a–520a, Book VII) to compare "the effect of education (παιδεία) and the lack of it on our nature".
Georgios Gemistos Plethon was born in Constantinople in 1355/1360. [11] Raised in a family of well-educated Orthodox Christians, [12] he studied in Constantinople and Adrianople, before returning to Constantinople and establishing himself as a teacher of philosophy. [13]
La Fábula de Polifemo y Galatea (The Fable of Polyphemus and Galatea), or simply the Polifemo, is a literary work written by Spanish poet Luis de Góngora y Argote.The poem, though borrowing heavily from prior literary sources of Greek and Roman Antiquity, attempts to go beyond the established versions of the myth by reconfiguring the narrative structure handed down by Ovid.
Definitions is a list of 184 terms important in early Platonism together with one or more brief definitions. Though not in alphabetical or any other simple order, it is possible to discern some features of the organization of the collection.
In Plato's Ion (/ ˈ aɪ ɒ n /; Ancient Greek: Ἴων) Socrates discusses with the titular character, a professional rhapsode who also lectures on Homer, the question of whether the rhapsode, a performer of poetry, gives his performance on account of his skill and knowledge or by virtue of divine possession.