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Thai folklore is a diverse set of mythology and traditional beliefs held by the Thai people. Most Thai folklore has a regional background for it originated in rural Thailand . With the passing of time, and through the influence of the media, large parts of Thai folklore have become interwoven with the wider popular Thai culture .
It is a Thai version of the ancient Indian epic Ramayana, and an important part of the Thai literary canon. King Rama VI was the person who shed the light first on the Ramayana studies in Thailand, by tracing the sources of the Ramakien , comparing it with the Sanskrit Valmiki Ramayana .
Pages in category "Thai mythology" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. H. Himavanta; K. Khun Borom; N.
In November 2022, the Thai government declared the Naga as the national symbol of Thailand, with the aim of promoting Thai culture and traditions and increasing the country's cultural capital to drive the creative economy. The Naga is a mythical creature with long-standing beliefs and connections to the Thai people, and its designation as a ...
Belief in ghosts in Thai culture is both popular and enduring. [1] In the history of Thailand , Buddhist popular beliefs intermingled with legends of spirits or ghosts of local folklore . These myths have survived and evolved, having been adapted to the modern media, such as Thai films , Thai television soap operas , and Thai comics .
Thai mythology (3 C, 3 P) S. Superstitions of Thailand (1 C, 5 P) Pages in category "Thai folklore" The following 27 pages are in this category, out of 27 total.
Krai Thong or Kraithong (Thai: ไกรทอง, pronounced [krāj.tʰɔ̄ːŋ]) is a Thai folktale, originating from Phichit Province. It tells the story of Chalawan, a crocodile lord who abducts a daughter of a wealthy Phichit man, and Kraithong, a merchant from Nonthaburi who seeks to kill Chalawan.
Pages in category "Thai legendary creatures" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes. A. Apsonsi; G.