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A braided necklace made from cotton cords by ply-split braiding. Today, the ply-split braiding technique is used by fiber artists to create handmade decorative items including neckwear, bags, household décor, garments and three-dimensional structures such as baskets and sculptures.
Detail of Cavandoli macramé. Macramé is a form of textile produced using knotting (rather than weaving or knitting) techniques.. The primary knots of macramé are the square (or reef knot) and forms of "hitching": various combinations of half hitches.
Download QR code ; Print/export ... while the creations possible with scoubidou are similar to traditional corn dollies and macrame. ... but can take on quite ...
Agaseke is a type of traditional Rwandese woven basket. [1] It is characterized by its flat circular base that is taller than it is wide, with a sloped conical fitted lid. It is traditionally made of native natural fibers in natural off-white colors with naturally-dyed patterns in colors like purple, green, black, yellow, and red.
Artist Lucy Telles and large basket, in Yosemite National Park, 1933 A woman weaves a basket in Cameroon Woven bamboo basket for sale in K. R. Market, Bangalore, India. Basket weaving (also basketry or basket making) is the process of weaving or sewing pliable materials into three-dimensional artifacts, such as baskets, mats, mesh bags or even furniture.
Paper quilling. Quilling is an art form that involves the use of strips of paper that are rolled, shaped, and glued together to create decorative designs. The paper shape is manipulated to create designs on their own or to decorate other objects, such as greetings cards, pictures, boxes, or to make jewelry.
Coloured designs in textiles can be created by weaving together fibres of different colours (tartan or Uzbek Ikat), adding coloured stitches to finished fabric , creating patterns by resist dyeing methods, tying off areas of cloth and dyeing the rest , drawing wax designs on cloth and dyeing in between them , or using various printing processes ...
Etching by Jacques Bellange, Gardener with basket c. 1612. Callot also appears to have been responsible for an improved, harder, recipe for the etching ground, using lute-makers' varnish rather than a wax-based formula. This enabled lines to be more deeply bitten, prolonging the life of the plate in printing, and also greatly reducing the risk ...
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