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Laurence Stephen Lowry RBA RA (/ ˈ l aʊ r i / LAO-ree; 1 November 1887 – 23 February 1976) was an English artist.His drawings and paintings mainly depict Pendlebury, Greater Manchester (where he lived and worked for more than 40 years) as well as Salford and its vicinity.
Industrial Landscape is the title given to each of a series of oil paintings by the English artist L. S. Lowry, painted over a number of years between 1934 and 1955.. Each picture is in the form of a landscape painting, in which the traditional elements of natural beauty have been supplanted with factories, chimneys, bridges and other elements of an industrial city environment.
Going to Work is a 1943 oil painting by the English artist L. S. Lowry.. Originally commissioned as a piece of war art by the War Artists Advisory Committee, it depicts crowds of workers walking into the Mather & Platt engineering equipment factory in Manchester, north-west England.
Going to the Match is the title of a number of paintings by British painter L. S. Lowry, depicting crowds of spectators walking towards a sports ground.Lowry's best known Going to the Match painting is his 1953 painting of football fans heading towards Burnden Park, the then home of Bolton Wanderers Football Club. [1]
Lowry’s painting Sunday Afternoon is estimated to be worth between £4 to £6 million.
Lowry told the features reporter for the Manchester Guardian that Ann was 25 years old, lived in Leeds and was "the daughter of some people who have been very good to me." The architect and Manchester academician Frank Bradly, a friend of Lowry's, stated that Lowry had told him she was a pupil of his mother's who had died when she was 25. [ 1 ]
Mrs Lowry & Son is a biographical drama film set in Pendlebury Greater Manchester, chronicling the life of the renowned artist L. S. Lowry.It was directed by Adrian Noble from a screenplay written by Martyn Hesford who also wrote the original play, and considers the relationship between Lowry and his mother Elizabeth, who has reservations over her son's career in painting. [2]
The chorus makes reference to Lowry's style of painting human figures, which was similar to stick figure drawings (a "matchstalk" is a matchstick in the Salford dialect). [6] For the song, Michael Coleman drew on his own memories of Salford and Ancoats as well as the paintings of Lowry. The song lyrics make reference to Lowry's painted scenes ...