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Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. [1] Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history, moral philosophy, social philosophy, and interdisciplinary themes relevant to how people interpret meaning. [1]
For example, "The ship of state has sailed through rougher storms than the tempest of these lobbyists." Catachresis – A metaphor that is or can be a stretch for an audience to catch on to. Catachreses can be subjective; some people may find a metaphor to be too much while others may find it perfectly reasonable. [2]
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
We (Russian: Мы, romanized: My) is a dystopian novel by Russian writer Yevgeny Zamyatin (often anglicised as Eugene Zamiatin) that was written in 1920–1921. [1] It was first published as an English translation by Gregory Zilboorg in 1924 by E. P. Dutton in New York, with the original Russian text first published in 1952.
Literature can be described as all of the following: Communication – activity of conveying information. Communication requires a sender, a message, and an intended recipient, although the receiver need not be present or aware of the sender's intent to communicate at the time of communication; thus communication can occur across vast distances in time and space.
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Broadly defined as "the representation of reality", [2] realism in the arts is the attempt to represent subject matter truthfully, without artificiality and avoiding artistic conventions, as well as implausible, exotic and supernatural elements. Realism has been prevalent in the arts at many periods, and is in large part a matter of technique ...