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Taubman Museum of Art. The Taubman Museum of Art, formerly the Art Museum of Western Virginia, is an art museum in downtown Roanoke, Virginia, United States. [1] Formally established in 1951, the museum was housed in several locations around Roanoke before moving in 2008 to its current home, a contemporary architecture building designed by Randall Stout.
Taubman and his wife Eugenia (Jenny) are the largest donors to the new Art Museum of Western Virginia, having pledged over $15 million. In recognition, the new museum was renamed the Taubman Museum of Art . [ 3 ]
Dorothy Gillespie (1920–2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Her works are featured at her alma mater (Radford University) in Virginia, [1] where she later returned to teach, as well as in New York (where she was an artist in residence for the feminist Women's Interart Center), [2] Wilmington, North Carolina, and ...
One of the original tenants of Center in the Square, the Art Museum of Western Virginia, moved to a downtown Salem Avenue facility in 2008. [113] The move was made with the help of a $15.2 million donation from Nicholas and Jenny Taubman, whose family had established Advance Auto Parts in Roanoke in the 1930s. [114]
(De)Framing Identity and the Body at the Utah Museum of Contemporary Art. [5] Monica Kim Garza’s artwork was exhibited along with 56 other artists in the exhibition A Very Anxious Feeling: Voices of Unrest in the American Experience at the Taubman Museum of Art, in Roanoke, Virginia, from October 3, 2020 to February 7, 2021. [6]
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Examples of her work can be found in the permanent collections of the Smithsonian Institution in Washington, DC, the Metropolitan Museum of Art in New York City, and the Victoria and Albert Museum in London. The Taubman Museum of Art in Roanoke, Virginia, has had a gallery of her work on display since it opened in 2008.
The Taubman Museum of Art is an example of an expensive museum (eventually $66 million) that attained little success and continues to have a low endowment for its size. [54] Some museum activists see this method of museum use as a deeply flawed model for such institutions.