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As African masks are largely appropriated by Europeans, they are widely commercialized and sold in most tourist-oriented markets and shops in Africa (as well as "ethnic" shops in the Western world). As a consequence, the traditional art of mask-making has gradually ceased to be a privileged, status-related practice, and mass production of masks ...
A Punu-Lumbo mask. A Punu-Lumbo mask is a tribal mask native to the Ogooué River basin in Gabon, especially in the south in Ngounié Province. [1] The masks are extremely valuable to collectors of African art, and have been sold at Sotheby's for well over $400,000. [2]
Africa Explores: 20th-Century African Art. Center for African Art, 1994. Woodward, Richard B. African Art: Virginia Museum of Fine Arts. The Museum, 2000. Roberts, Allen F., et al. Animals in African Art: from the Familiar to the Marvelous. The Museum for African Art, 1995. "Baga - Art & Life in Africa - The University of Iowa Museum of Art."
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Nigerian Traditional Arts, Crafts and Architecture; Yoruban and Akan Art in Wood and Metal, Lakeview Museum of Arts and Sciences; For spirits and kings: African art from the Paul and Ruth Tishman collection, an exhibition catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on Yoruba art
Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
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Masks are an art form for those in Africa. The shapes, sizes, engravings, color, materials added, and what ritual they are used in make each mask different from the next. Even though the Kwele masks embody a certain simplicity, [4]: 40 they do not stray away from using animalistic, zoomorphic, and anthropomorphic features. Incorporating human ...
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