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[85] Men could be witches, but were considered rarer, and the reasons were also different. The most common form of male witch mentioned in the book is the sorcerer-archer. The book is rather unclear, but the impetus behind male witches seems to come more from desire for power than from disbelief or lust, as it claims is the case for female witches.
Compendium Maleficarum is a witch-hunter's manual written in Latin by Francesco Maria Guazzo, and published in Milan (present-day Italy) in 1608. [1]It discusses witches' pacts with the devil, and detailed descriptions of witches’ powers and poisons.
Short stories about witches and witchcraft (9 P) Pages in category "Witchcraft in written fiction" The following 41 pages are in this category, out of 41 total.
“Your average witch is just somebody who lives next to you and has this spiritual practice you don’t know about,” Deborah Blake, a self-identified witch and the author of “Llewellyn’s ...
The first part of Cunning Folk and Familiar Spirits is devoted to a historical examination of the professional cunning folk and accused witches of Early Modern Britain, with a particular focus on the beliefs in familiar spirits that they held to; according to Wilby, this serves the purpose of "illustrat[ing] in some detail, the event-pattern ...
The Malleus Maleficarum, (Latin for 'Hammer of The Witches') was a witch-hunting manual written in 1486 by two German monks, Heinrich Kramer and Jacob Sprenger. It was used by both Catholics and Protestants [ 88 ] for several hundred years, outlining how to identify a witch, what makes a woman more likely than a man to be a witch, how to put a ...
SEE ALSO: Witches mobilize to cast a binding spell on President Trump "Both Protestant and Catholic churches tried very hard to make sure that nobody would make a manuscript like this," Fletcher said.
Other examples of villainous witches in literature include the White Witch from C. S. Lewis's The Lion, the Witch and the Wardrobe and the Grand High Witch from Roald Dahl's The Witches. Living Alone, published in 1919, uses the "witch heroine" as an agent in support of female liberation.