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Other examples include the rear passage in a transmission-line loudspeaker enclosure, the ear canal, and a stethoscope. The term also applies to guided waves in solids. A duct for sound propagation also behaves like a transmission line (e.g. air conditioning duct, car muffler, etc.).
Moving iron speaker. The original loudspeaker design was the moving iron. Unlike the newer dynamic (moving coil) design, a moving-iron speaker uses a stationary coil to vibrate a magnetized piece of metal (called the iron, reed, or armature). The metal is either attached to the diaphragm or is the diaphragm itself.
Some speaker designs also use a spiral or elliptic spiral shaped duct, usually with one speaker element in the front or two speaker elements arranged one on each side of the cabinet. Depending upon the drive unit, and quantity and various physical properties of absorbent material, the amount of taper will be adjusted during the design process ...
The design is often described as non-resonant, and some designs are sufficiently stuffed with absorbent material that there is indeed not much output from the line's port. But it is the inherent resonance (typically at 1/4 wavelength) that can enhance the bass response in this type of enclosure, albeit with less absorbent stuffing.
Permanently fitted, rigid voice pipes are still in use and are generally covered with heavy lids to avoid ingress of water. The speaker has to place his mouth in the "horn" or bell-shaped end of the pipe and the receiver has to 'bend an ear' to hear what is being said. Voice pipes have generally been replaced by sound-powered telephones.
Examples of transmission line (TL) related technologies include the (mostly obsolete) speaking tube, which transmitted sound to a different location with minimal loss and distortion, wind instruments such as the pipe organ, woodwind and brass which can be modeled in part as transmission lines (although their design also involves generating ...
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Loudspeaker acoustics is a subfield of acoustical engineering concerned with the design of loudspeakers. [1] It focuses on the reproduction of sound and the parameters involved in doing so in actual equipment.