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The designs were held under strict control, and the distinction between classes was easily recognized by the kimono worn. Patterns for the royal household were very bold and colorful, [7] while the general public wore simple and dark patterns of indigo or black. [4] Only the royal family wore the yellow, while nobility wore pale blue.
Pattachitra is thus a painting done on canvas, and is manifested by rich colourful application, creative motifs, and designs, and portrayal of simple themes, mostly mythological in depiction. [14] The traditions of pattachitra paintings are more than thousand years old.
Nigeria is also known for its two-tone indigo resist designs, created by repeat dyeing of cloth painted with cassava root paste to create a deep blue; the paste is then washed out and the cloth dyed a final time. Quality cloth is dyed 25 or more times to create a deep blue-black color before the paste is washed out.
All of these items – felt, yarn, fabric, and finished objects – are collectively referred to as textiles. [3] The textile arts also include those techniques which are used to embellish or decorate textiles – dyeing and printing to add color and pattern; embroidery and other types of needlework; tablet weaving; and lace-making.
Printing is the process of adding localized or patterned color to fabrics. [2] Discharge printing involves dyeing first with dischargeable dyes; subsequently, the dyed fabric undergoes a printing process involving the application of a chemical-infused paste that effectively removes the color imparted by the dye.
The cloth is then dyed, typically using a single color (traditionally indigo), and the wax is removed. The waxed areas of the cloth resist the dye and the desired pattern remains. Traditional Hmong batik, known as Paj Ntaub nraj ciab/cab in the Hmong language RPA, [3] is created using white hemp fabric, beeswax, indigo dye, and a tjanting tool ...
Strip-woven textile design: African fabric. Textile patterns, designs, weaving methods, and cultural significance vary across the world. African countries use textiles as a form of cultural expression and way of life. They use textiles to liven up the interior of a space or accentuate and decorate the body of an individual.
The mola originated with the tradition of Guna women painting their bodies with geometric designs, using available natural colors; at a certain point, after the arrival of the Spanish, these same designs were woven in cotton, and later still, sewn using cloth "acquired by trade from the ships that came to barter for coconuts during the 19th ...
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