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Nigeria is also known for its two-tone indigo resist designs, created by repeat dyeing of cloth painted with cassava root paste to create a deep blue; the paste is then washed out and the cloth dyed a final time. Quality cloth is dyed 25 or more times to create a deep blue-black color before the paste is washed out.
Printing is the process of adding localized or patterned color to fabrics. [2] Discharge printing involves dyeing first with dischargeable dyes; subsequently, the dyed fabric undergoes a printing process involving the application of a chemical-infused paste that effectively removes the color imparted by the dye.
The wax can be applied with a variety of tools, including writing with a pen-like canting tool, printing with a cap, or painting with a brush. [31] The canting is the most basic and traditional tool, creating what is known as "written batik" (batik tulis). It allows the creation of very fine, minute patterns but the process is very labour ...
Beni itajime is a block-resist dyeing method that was common throughout the Meiji period (1868-1912), used to create red lining fabrics with crisp white designs. In China, the jia xie method, invented around 500 AD, uses wooden blocks to dye patterns onto fabric, usually silk. An upper and a lower block is made, with carved out compartments ...
The cloth is then dyed, typically using a single color (traditionally indigo), and the wax is removed. The waxed areas of the cloth resist the dye and the desired pattern remains. Traditional Hmong batik, known as Paj Ntaub nraj ciab/cab in the Hmong language RPA, [3] is created using white hemp fabric, beeswax, indigo dye, and a tjanting tool ...
The colourful patterns and designs that are embroidered resulted in the name "Nakshi Kantha," [6] which was derived from the Bengali word "naksha," referring to artistic patterns. [7] Early kanthas had a white background accented with red, blue, and black embroidery; later, yellow, green, pink, and other colours were also included.
Evenlode block-printed fabric. Textile printing is the process of applying color to fabric in definite patterns or designs. In properly printed fabrics the colour is bonded with the fibre, so as to resist washing and friction.
Finally, the yellow n'gallama dye is removed from the unmarked parts of the cloth by applying soap or bleach, rendering the finished cloth white with dark marks where it was painted. [4] After long use, the very dark brown color turns a variety of rich tones of brown, while the unpainted underside of the fabric retains a pale russet color. [3]
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