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Italian baroque furnishing also had considerable Eastern influences. [4] Venetians, who at the time still held a vast sea empire, often imported rich fabrics and materials from other nations to enrich their furniture with eastern influences. Their furniture was chiefly sumptuous and luxurious, and included rich silks and green and gold lacquer. [4]
Italian Rococo furniture was usually upholstered with rich and colourful fabrics, such as velvet and silk, and furniture was usually lacquered. [1] Furniture from Piedmont was typically very French in style, Lombardy produced more sober and wooden furnishings, Genoa was known for its rich fabrics and colourful styles, and Venice for its ...
The sumptuous palazzi of noblemen and the middle-classes began to be decorated with tapestries, sculptures, frescos and lavish furniture. The most powerful Italian families of the time, such as the Florentine Medici, the Roman Farnese, the Milanese Sforza, the Italo-Spanish Borgia and the Urbinese Montefeltro had their palaces decorated with ...
The bounded sheets were then bent under steam pressure, pressed into molds, and then carved. The process produced stronger pieces of furniture that was less costly than traditional carving and allowed for mass production. Furniture made using this process was thinner and lighter than of made of solid wood and has the same resistance to breaking.
Italian Neoclassical furniture was loosely based on that of Louis XVI styles but was made unique by the usage of exaggeratedly shaped backs and necks which were recessed. [1] Armoires, or armadi made by the Venetians were more geometrically shaped than the Rococo ones, but were usually gilded in gold and silver, and had a few intricate details ...
The furniture of the Louis XV period (1715–1774) is characterized by curved forms, lightness, comfort and asymmetry; it replaced the more formal, boxlike and massive furniture of the Louis XIV style. It employed marquetry, using inlays of exotic woods of different colors, as well as ivory and mother of pearl. The style had three distinct periods.
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