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As a building material, stucco is a durable, attractive, and weather-resistant wall covering. It was traditionally used as both an interior and exterior finish applied in one or two thin layers directly over a solid masonry, brick, or stone surface. The finish coat usually contained an integral color and was typically textured for appearance.
Popcorn ceiling texture. A popcorn ceiling, also known as a stipple ceiling or acoustic ceiling, is a ceiling with one of a variety of spray-on or paint-on treatments. [1] The bumpy surface is created by tiny particles of vermiculite or polystyrene, which gives the ceiling sound-deadening properties. Mixtures are available in fine, medium, and ...
Bastard stucco is of similar composition, but less labor is expended on it. It is laid on in two coats with a skimming float, scoured off at once, and then trowelled. Colored stucco: lime stucco may be executed in colors, the desired tints being obtained by mixing with the lime various oxides. Black and grays are obtained by using forge ashes ...
Artex differs from plaster in that it was marketed as a material intended to receive a textured finish, thus enabling a ceiling to be finished without plastering skills. It was widely used in Britain in the 1970s, mainly with the familiar stippled and swirled patterns. Artex was also occasionally used on walls. [2]
[citation needed] In historic Nasrid architecture, the composition and color of stucco varied depending upon the purity of gypsum stone and additives used to bestow properties to the mixtures such as hardness, setting time, and binding. [25]: 23, 56 The chemical formula for gypsum is CaSO 4 •2H 2 O. Gypsum is the most common sulfate mineral. [29]
Polished plaster is a term for the finish of some plasters and for the description of new and updated forms of traditional Italian plaster finishes. The term covers a whole range of decorative plaster finishes, from the very highly polished Venetian plaster and Marmorino to the rugged look of textured polished plasters. [1]
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Colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music (like a C note) is analogous to "light" in painting, "shades" to dynamics , and "coloration" is to painting as the specific timbre of musical instruments is ...
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