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Colors have qualities that may cause certain emotions in people. [1] How color influences individuals may differ depending on age, gender, and culture. [2] Although color associations may vary contextually from culture to culture, one author asserts that color preference may be relatively uniform across gender and race. [3]
Favoritism of colors varies widely. Often societal influences will have a direct impact on what colors are favored and disdained. In the West, the color black symbolizes mourning and sadness, red symbolizes anger and violence, white symbolizes purity and peace, and yellow symbolizes joy and luck (other colors lack a consistent meaning).
Color fictionalists argue that, since we can imagine perceiving an inverted color spectrum, it must follow that color represents a property that determines the way things look to us, yet has no physical basis.
These are much more complex emotions, and involve assessing events as agreeing with one's self-perception or not, and adjusting one's behavior accordingly. [9] There are numerous instances of artists expressing self-conscious emotions in response to their art, and self-conscious emotions can also be felt collectively.
According to traditional color theory based on subtractive primary colors and the RYB color model, yellow mixed with purple, orange mixed with blue, or red mixed with green produces an equivalent gray and are the painter's complementary colors. One reason the artist's primary colors work at all is due to the imperfect pigments being used have ...
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Rectangle color schemes work best when one color is dominant. The square color scheme is a four-color combination consisting of a base color and three colors that are 90 degrees apart from the base color. [8] Square color schemes are rich in color and offer variations.
Emotion classification, the means by which one may distinguish or contrast one emotion from another, is a contested issue in emotion research and in affective science. Researchers have approached the classification of emotions from one of two fundamental viewpoints: [citation needed] that emotions are discrete and fundamentally different constructs