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Bonsai aesthetics are the aesthetic goals and characteristics of the Japanese tradition of the art of bonsai, the growing of a miniature tree in a container. Many Japanese cultural characteristics, particularly the influence of Zen Buddhism and the expression wabi-sabi inform the bonsai tradition in that culture. [ 1 ]
Small trees with large leaves or needles are out of proportion and are avoided, as is a thin trunk with thick branches. Asymmetry: Bonsai aesthetics discourage strict radial or bilateral symmetry in branch and root placement. No trace of the artist: The designer's touch must not be apparent to the viewer. If a branch is removed in shaping the ...
This technique involves selective removal of leaves (for most varieties of deciduous tree) or needles (for coniferous trees and some others) from a bonsai's branches. A common aesthetic technique in bonsai design is to expose the tree's branches below groups of leaves or needles (sometimes called "pads") by removing downward-growing material.
Trees, soil, and rocks form a miniature living landscape. Saikei (栽景) literally translates as "planted landscape". [1] [2]: 228 Saikei is a descendant of the Japanese arts of bonsai, bonseki, and bonkei, and is related less directly to similar miniature-landscape arts like the Chinese penjing and the Vietnamese hòn non bộ.
The Chinese ink painting tradition of shan shui ("mountain-water"), or "pure" landscape, in which the only sign of human life is usually a sage, or a glimpse of his hut, uses sophisticated landscape backgrounds to figure subjects, and landscape art of this period retains a classic and much-imitated status within the Chinese tradition.
Many photographers record images of the texture in a stone, tree bark, leaf, or any of other small scenes. Many of these images are abstract. [14] Tiny plants and mushrooms are also popular subjects. Close-up nature photography doesn't always need a true macro lens; however, the scenes here are small enough that they are generally considered ...
Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.
The garden is sometimes made to appear larger by forced perspective: placing larger rocks and trees in the foreground, and smaller ones in the background. Concealment miegakure ("hide and reveal") : The Zen Buddhist garden is meant to be seen all at once, but the promenade garden is meant to be seen one landscape at a time, like a scroll of ...