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As the holder of the keys that can unlock the gates between realms, she can unlock the gates of death, as described in a 3rd-century BCE poem by Theocritus. In the 1st century CE, Virgil described the entrance to hell as "Hecate's Grove", though he says that Hecate is equally "powerful in Heaven and Hell."
A liminal deity is a god or goddess in mythology who presides over thresholds, gates, or doorways; "a crosser of boundaries". [1] These gods are believed to oversee a state of transition of some kind; such as, the old to the new, the unconscious to the conscious state, the familiar to the unknown.
Rivers are a fundamental part of the topography of the underworld and are found in the earliest source materials: [12] In Homer's Iliad, the "ghost" of Patroclus makes specific mention of gates and a river (unnamed) in Hades; [13] in Homer's Odyssey, the "ghost" of Odysseus's mother, Anticlea, describes there being many "great rivers and appalling streams", and reference is made to at least ...
Ereshkigal is described as being Inanna's older sister. When Neti, the gatekeeper of the underworld, informs Ereshkigal that Inanna is at the gates and demanding to be let in, Ereshkigal responds by ordering Neti to bolt the seven gates of the underworld and to open each separately, but only after Inanna has removed one article of clothing.
The Greeks and Romans believed doors, gates, rivers, frontiers and crossroads held spiritual meanings regarding transitioning, leaving one area and going somewhere else, a change in directions physically and spiritually; therefore rituals of protection and rituals regarding change (transition) were done at crossroads. [2]
The Old Norse name Hel is identical to the name of the location over which she rules. It stems from the Proto-Germanic feminine noun *haljō-'concealed place, the underworld' (compare with Gothic halja, Old English hel or hell, Old Frisian helle, Old Saxon hellia, Old High German hella), itself a derivative of *helan-'to cover > conceal, hide' (compare with OE helan, OF hela, OS helan, OHG helan).
One woman tells Sheila Flynn how she finally ended up visiting the famed Titanic wreck at its underwater grave after a near lifelong obsession – and what the surreal journey is actually like
The Night of Enitharmon's Joy, often referred as The Triple Hecate or simply Hecate, is a 1795 work of art by the English artist and poet William Blake which depicts Enitharmon, a female character in his mythology, or Hecate, a chthonic Greco-Roman goddess of magic and the underworld. The work presents a nightmarish scene with fantastic creatures.