Search results
Results from the WOW.Com Content Network
"Fat Bottomed Girls" is a song by the British rock band Queen. Written by guitarist Brian May , the song appears on the band's seventh studio album Jazz (1978) and later on their compilation album Greatest Hits . [ 4 ]
It was released as a double A-side single together with the song "Fat Bottomed Girls", reaching number 11 in the UK Singles Chart and number 24 in the Billboard Hot 100 in the US. [2] [3] The song is included in their 1981 Greatest Hits compilation. The song is notable for its video featuring a bicycle race with nude women at Wimbledon Stadium ...
Reviewing for Rolling Stone in 1979, Dave Marsh panned Jazz as "more of the same dull pastiche" from Queen, who he said displayed "elitist notions" with some of their musical choices and lyrics. Marsh said "Fat Bottomed Girls" treated women "not as sex objects but as objects, period (the way the band regards people in general)", and finished by ...
For premium support please call: 800-290-4726 more ways to reach us
"Fat Bottomed Girls" (The original video, except intercut with "mud wrestling" footage) "Sheer Heart Attack" (Rare video. Video includes clips of Queen performance at the Rainbow '74, Hammersmith '75, Earl's Court '77, Houston '77, Hammersmith '79, Buenos Aires '81, Wembley '86, and clips from other Queen videos including Under Pressure and ...
Brian May – acoustic and electric guitars, co-lead vocals on "Fat Bottomed Girls" (chorus), backing and operatic vocals, bicycle bells, handclaps, piano, synthesizer, footstomps, fingersnaps (on original North American release only), co-lead vocals on "Keep Yourself Alive" (bridge), harmonium (on Japanese release only)
Discover the latest breaking news in the U.S. and around the world — politics, weather, entertainment, lifestyle, finance, sports and much more.
The song received mostly mixed reviews from music critics. Beth Johnson from Entertainment Weekly referred to the song as "an update of Queen's 'Fat Bottomed Girls'." [5] Sal Cinquemani from Slant Magazine agreed, writing that the song "is nothing if not a disco-fied exaltation to Queen's 'Fat Bottomed Girls'."